My opinion is that you get a cheap hardware reverb and run the live monitor of you yeti though that and to your headphones. If you are running two many effects (or too complex), your cpu will lag and you will get buffer underrun (pops and clicks). The problem with this, is that you will need to keep your ASIO buffer very small (64 samples) so you don't introduce latency into the live monitor. Then you can place any effect your want on it, then live monitor that specific track in your DAW. Because you are using a USB microphone, I assume you do not have an audio interface, so this solution is probably not idea.Īnyways, you could run the live monitor of your yeti into an audio interface, into a track of a DAW software. This requires an audio interface with multiple in an out. Featuring a tailored-for-stage super-cardioid polar pattern and an internally shock mounted 1/2' condenser capsule, the M2 provides a high quality alternativ. Something like this would work, but you can most certainly find cheaper (or much more expensive :P)Īnd alternate approach would be to run software reverb. RØDE M2 is a rugged live-performance condenser microphone designed to provide a full frequency response and premium performance on stage. ![]() ![]() The simplest way is to just buy a hardware reverb, and run the live monitor of your yeti through the reverb. Add Echo Reverb To Multiple MP3 Files Software allows users to add echo/reverb to a collection of MP3 files. You just need to run the "live monitor out" of your yeti microphone through a reverb effect, and then to your headphones. ![]() So as I understand you want to add effects on the "live monitoring" while not adding effects on the recording.
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